I got around to Leonard Cohen: I’m Your Man in the last week or so. I’ve got a book of Cohen’s lyrics and poems I enjoyed, and I get why this guy is so brilliant and all, but my taste-o-meter has just never swung towards much more than a few listens to Songs of Love and Hate. It’s true. I’m a Philistine.* But, I enjoy a good Cohen cover as much as the next guy. Buckley’s is my favorite version of “Hallelujah,” maybe because, aside from being the best one, it was the first I’d heard. Anyway, Teddy Thompson’s fresh and thoughtful take on “Tonight Will Be Fine” was the highlight of the show for me. Thompson’s latest, A Piece of What You Need, released just last week, and the samples I’ve heard are great. His cover of country standards, Up Front & Down Low, is all kinds of sweet slide guitar smooth. I like ‘im.
A close second was Antony’s “If It Be Your Will.” His haunting, as Bjork called it, “black woman” voice (Nina Simone meets Boy George?) is featured on Joan as Police Woman’s last record (Joan Wasser also makes an appearance in I’m Your Man, but not quite center stage). I wasn’t sure what I thought of him at first – it almost completes Wasser’s 70s-ish vibe, like he’s channeling Godspell. Kind of how Buckley’s “Lilac Wine” always made me feel, come to think of it. There’s a lot of incongruities in this image and sound, but the way it somehow holds together draws me in all the more to want to hear it again, like if I keep watching I’ll suddenly solve the mystery. Or it will solve me. Like the man says, “There is a crack in everything/ That’s how the light gets in” (“Anthem,” The Future, 1992). The song itself offers a prayer of such sincerity, yearning, and faith that it puts a lot of CCM to shame.
What a cool thing, music.
Oh, and I liked Leonard Cohen: I’m Your Man. He’s an interesting guy. Very easy voice when it comes to talking. And, if you’re not familiar with him, you can pretend it’s all made up, and Leonard Cohen is just a character played by Al Pacino.
*For the record, I enjoy a number of, shall we say, nontraditional vocalists (Tom Waits, Iris Dement, Victoria Williams, Howlin’ Wolf, Daniel Johnston, even Celine Dion). Maybe Cohen just sings in a register to which my ears don’t respond well. I have the same reaction to Cher.